Shot on Ilford HP5 film using an Olympus Pen EES-2, a distinctive half-frame camera known for its compact design, this triptych deliberately rejects the clinical sharpness and precision commonly found in modern sports photography.
Rather than focusing on crisp, ultra-clear images, it embraces the presence of grain, blur, and dust particles as intentional visual metaphors. These imperfections symbolize the fleeting, imperfect, and transient nature of human momentum, capturing the raw and dynamic essence of movement in a way that feels more authentic and evocative.
